Guitars in the Park
Stevie Wonder wrote “Music is a
world within itself” in the song Sir Duke. I have always admired musicians who
traveled the globe to play with and learn from other musicians. Paul
Simon’s El Condor Pas and Graceland, Peter Gabriel’s experimentation with South
African music easily come to mind. I
remember hearing Paul Simon talk about the music similarities of rhythms and
chord phrasing without knowledge of each other’s language. These were
collaborations that I still love to listen to.
Saturday, I experienced the beauty of the universality of music. Let me
explain.
As you know, I am visiting the
beautiful and very musical country of Armenia as a guest in the Peace Corps.
I am working with an amazing team who are working to improve the economic
situation of the Tavush Region (they call it Marz). Most evenings I have
the honor of walking home with two of the young women with whom I work. One evening, it was only one of the young
women, Narine. We were chatting as we walked on this hot July day up the
very steep hill toward our homes. A
young man pulled up in a car and said something to Narine. Their
conversation was in Armenian and very fast.
I understood nothing.
Narine, patient little Godsend that
she is, doubles as my tutor. She speaks excellent English and understands
most of what I say. She turned to me and
explained that this was one of her oldest friends and he was offering us a ride
up the hill. I almost did not accept because I like the exercise the walk
up my hill provides. Something told me
in Narine’s smile that she wanted me to accept the ride. I climbed in to the front seat which is
sometimes confusing here because the driver can be on the right or the left.
This car happened to be on the right.
My six-foot structure made the front seat better for me as Narine is
quite tiny. I have asked her to sit in
the front seat of her father’s car when he has given us rides because of rain
or lateness. She always refuses and
insists I sit in front. Dynamite does come in small (maybe in her case,
tiny) packages. I know not to argue with
her; I will never win.
The driver reached for my hand and
we shook and greeted each other in Armenian. He then said hello in
English but explained he knew very little English. I told him I knew very little Armenian.
He had the most curious look in his eyes like he wanted to talk. Narine spoke for him. She told me that her friend, Alec, had seen
me playing my guitar in the park near our office and wanted to play guitar with
me some time to learn some American music. I was very flattered and said
only if he would teach me some Armenian songs.
We had barley enjoined in conversation through Narine when we reached my
house. We did not arrange a definite time to meet. I thought I would ask Narine about helping
arrange a meeting but I am so busy trying to learn basic language from her that
I totally forgot.
I wandered into town on Saturday
morning as I like to do. I usually go to the park in the center of town
and play guitar when it is not very crowded. It is such a beautiful and
peaceful place with its trees and playgrounds and fountain. There is a coffee shop above the park and one
almost in the park. I usually go to the one above after I have played a
while because they don’t open until later.
There are no 24-hour coffee shops in this quiet little down. I
played for about an hour, put my guitar in its case and went to the coffee
shop. I wrote and drank coffee for about two hours.
As I walked home from the coffee
shop, I was in no hurry. I reached the bottom of the hill leading to my home
and noticed the little Memorial Park had a spot of shade that would shelter me
from the hot sunny day. I walked through the gate and sat on the little
wall in the shade. I like to play songs
like “Imagine” in places like this memorializing people who died in war. I had only played one song when I looked up
and Narine’s friend, Alec, was walking in to my little hidden alcove with his
guitar. He sat beside me and listened to me finish what I was
playing. I asked him to teach me an
Armenian song. (At least I think that is what I said in my beginner’s
Armenian). He began playing this beautiful song in three chords (Am to Dm to Am
to Em, simplistically represented here).
I gradually picked up the rhythm and joined him playing, but not in
singing. I could tell his melodic voice was telling a sad story even
though I did not understand the words.
He stopped and told me it was a song about a soldier missing his love. I
was so blown away that he made such a choice in this place. I asked him to play more and he finished the
song and played two more. I would play
rhythm to his chords as I figured them out, and was in awe of the emotion
I felt from his singing without understanding the words.
He asked me to play. I chose
to play “Knocking on Heaven’s Door” because of its simplicity. I thought he
would pick it up but when I looked up he was recording me. I was a bit
embarrassed but wished I had thought to record him, so I could learn his songs
better. When I finished the song, he
held out his guitar and I realized he wanted to exchange my dreadnaught for his
classical. He smiled and said Yamaha as he played my guitar. We played a few more minutes but he had to
leave, and we traded back our guitars.
I sat in the shade and tried to
keep playing the song he showed me, so I would not forget it. The rhythm
was so similar to a standard 12 bar blues of A7 to D7 to E7 but it was all
minor chords. I realized that between us on Saturday there were probably
not five direct sentences but we had spoken in music for an hour. I had a class
planned with Narine for the next day and sent her a message asking if I could
bring my guitar and show her the song I was trying to remember that her friend
had shown me. She told me of course. Then in a second reply (I can
picture her laughing about this) she sent me the video her friend had made of
me playing. He had sent it to her to let
her know we had met. I hope he felt at
least half as moved by the musical moment as I did. I am sure Alec and I will meet again and
communicate in the universal language of music.
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